Entrée pontificale (No.1)
Partituras
Interpretaciones
Partituras
J. Rieter-Biedermann, 1895.
Revisor
First edition
Grabador
Leipzig: C.G. Röder.
Editorial
Leipzig: J. Rieter-Biedermann, 1895. Plate 2034.
Observaciones varias
This file is part of the Sibley Mirroring Project. The title-page makes it clear that the plates for the 5 pieces are 2030-2034, with the plate for this work being 2034 specifically.
Derechos de autor
Unidentified Publisher, n.d.
Editorial
Unidentified Publisher, n.d.
Observaciones varias
The first edition score has the title, "Entrée pontifical", right. Entrée is a masculine noun in this context, I believe, so pontifical. (The notes to the Tactus recording disagree with me here, though.)
Derechos de autor
Les Éditions Outremontaises, 2010.
Revisor
Editorial
Montréal: Les Éditions Outremontaises, 2010
Observaciones varias
These file(s) are part of the Werner Icking Music Collection.
En esta página
J. Rieter-Biedermann, 1895.
Revisor
First edition
Grabador
Leipzig: C.G. Röder.
Editorial
Leipzig: J. Rieter-Biedermann, 1895. Plate 2034.
Observaciones varias
This file is part of the Sibley Mirroring Project. The title-page makes it clear that the plates for the 5 pieces are 2030-2034, with the plate for this work being 2034 specifically.
Derechos de autor
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Unidentified Publisher, n.d.
Editorial
Unidentified Publisher, n.d.
Observaciones varias
The first edition score has the title, "Entrée pontifical", right. Entrée is a masculine noun in this context, I believe, so pontifical. (The notes to the Tactus recording disagree with me here, though.)
Derechos de autor
Entrée pontificale (No.1)
Entrée pontificale (No.1)
Les Éditions Outremontaises, 2010.
Revisor
Editorial
Montréal: Les Éditions Outremontaises, 2010
Observaciones varias
These file(s) are part of the Werner Icking Music Collection.