Complete
Partituras
Interpretaciones
Partituras vocales
Hutchings & Romer, n.d.[1900].
Editorial
London: Hutchings & Romer, n.d.[1900].
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
Boosey & Co., n.d.[1880].
Revisor
Myles Birket Foster (1851–1922)
Editorial
London: Boosey & Co., n.d.[1880].
Observaciones varias
Original scans: 300dpi, grayscale jpg2000 images approximately 2000 by 3000 pixels. Converted to black and white tif files, de-skewed, re-sampled to 600dpi, and set uniform margins.
Derechos de autor
Selections
Selections
J. Curwen & Sons, n.d.
Revisor
A.J. Foxwell (fl.1868-1889)
Henry Fisher
Henry Fisher
Editorial
London: J. Curwen & Sons, n.d. Plate C. & S. 985.
Observaciones varias
Selected by Fisher - no Overture
Derechos de autor
Wickins & Co., n.d.(by 1899).
Allan & Co., n.d.[1900s].
Editorial
Melbourne: Allan & Co., n.d.[1900s]. Plate B.619.
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
Robert A. Hudson, 2025.
En esta página
Listo
Complete
Complete
Hutchings & Romer, n.d.[1900].
Editorial
London: Hutchings & Romer, n.d.[1900].
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
Complete
Complete
Boosey & Co., n.d.[1880].
Revisor
Myles Birket Foster (1851–1922)
Editorial
London: Boosey & Co., n.d.[1880].
Observaciones varias
Original scans: 300dpi, grayscale jpg2000 images approximately 2000 by 3000 pixels. Converted to black and white tif files, de-skewed, re-sampled to 600dpi, and set uniform margins.
Derechos de autor
Selections
Selections
Selections
Selections
J. Curwen & Sons, n.d.
Revisor
A.J. Foxwell (fl.1868-1889)
Henry Fisher
Henry Fisher
Editorial
London: J. Curwen & Sons, n.d. Plate C. & S. 985.
Observaciones varias
Selected by Fisher - no Overture
Derechos de autor
Selections
Selections
Wickins & Co., n.d.(by 1899).
Selections
Selections
Allan & Co., n.d.[1900s].
Editorial
Melbourne: Allan & Co., n.d.[1900s]. Plate B.619.
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
Selections
Selections
Robert A. Hudson, 2025.
Selections
Selections
Beecham, n.d.[1890-1910].
Editorial
St. Helens: Beecham, n.d.[1890-1910].
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
Selections
Selections
John Snow & Co., n.d.[ca.1890].
Editorial
Ballarat: John Snow & Co., n.d.[ca.1890].
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
Selections
Selections
W.H. Glen & Co., n.d.[1891-1900].
Editorial
Melbourne: W.H. Glen & Co., n.d.[1891-1900]. Plate 1265.
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
Selections
Selections
Church, n.d.
Editorial
Cincinnati: Church, n.d.
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
Selections
Selections
J.B. Cramer, n.d.[1870].
Editorial
London: J.B. Cramer, n.d.[1870]. Plate 3877.
Observaciones varias
aka Holy Mother Guide His Footsteps
Derechos de autor
Selections
Selections
Cramer, Beale & Co., 1845.
Editorial
London: Cramer, Beale & Co., 1845. Plate 4153.
Derechos de autor
Selections
Selections
Hutchings & Romer, 1875.
Editorial
London: Hutchings & Romer, 1875. Plate 5326.
Derechos de autor
Woman Our Angel
Woman Our Angel
Woman Our Angel
Woman Our Angel
E.W. Cole, n.d.[ca.1880-95].
Editorial
Melbourne: E.W. Cole, n.d.[ca.1880-95].
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
Woman Our Angel
Woman Our Angel
Robert A. Hudson, 2025.
Revisor
Robert A. Hudson (b. 1948)
Editorial
Robert A. Hudson, 2025.
Observaciones varias
Words are by Edward William Cole
In Happy Moments. Ballad.
In Happy Moments. Ballad.
In Happy Moments. Ballad.
In Happy Moments. Ballad.
Hutchings & Romer, n.d.[ca.1860].
Editorial
London: Hutchings & Romer, n.d.[ca.1860]. Plate H&R 5334.
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
In Happy Moments. Ballad.
In Happy Moments. Ballad.
F. Ellard, 1846.
Editorial
Sydney: F. Ellard, 1846.
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
In Happy Moments. Ballad.
In Happy Moments. Ballad.
Hy. Marsh & co., n.d.[1850-1870].
Editorial
Sydney: Hy. Marsh & co., n.d.[1850-1870].
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
In Happy Moments. Ballad.
In Happy Moments. Ballad.
Howard & Co., n.d.[1884-1899].
Editorial
London: Howard & Co., n.d.[1884-1899].
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
In Happy Moments. Ballad.
In Happy Moments. Ballad.
George Willig, n.d.
Editorial
Philadelphia: George Willig, n.d.
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
In Happy Moments. Ballad.
In Happy Moments. Ballad.
Robert A. Hudson, 2025.
Scenes that Are Brightest (Act III)
Scenes that Are Brightest (Act III)
Scenes that Are Brightest (Act III)
Scenes that Are Brightest (Act III)
John C. Schreiner & Son, n.d.
Editorial
Schreiner's Port-Folio of Popular Songs, No.2
Macon: John C. Schreiner & Son, n.d.
Macon: John C. Schreiner & Son, n.d.
Observaciones varias
Lyrics attributed to Alfred Bunn (1796–1860).
This file is part of the Submission Project.
This file is part of the Submission Project.
Derechos de autor
Scenes that Are Brightest (Act III)
Scenes that Are Brightest (Act III)
Evans & Co., n.d.
Editorial
Boston: Evans & Co., n.d. Plate 2.
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
Scenes that Are Brightest (Act III)
Scenes that Are Brightest (Act III)
Firth, Pond and Co., n.d.
Editorial
New York: Firth, Pond and Co., n.d. Plate 3177.
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
Scenes that Are Brightest (Act III)
Scenes that Are Brightest (Act III)
George Willig, n.d.
Editorial
Philadelphia: George Willig, n.d.
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
Scenes that Are Brightest (Act III)
Scenes that Are Brightest (Act III)
W. Paxton & Co., 1845.
Editorial
London: W. Paxton & Co., 1845. Plate 597.
Derechos de autor
Scenes that Are Brightest (Act III)
Scenes that Are Brightest (Act III)
Robert A. Hudson, 2025.
O Maritana
O Maritana
O Maritana
O Maritana
Hutchings & Romer, 1884.
Editorial
London: Hutchings & Romer, 1884. Plate H. & R. 5343.
Derechos de autor
'Tis the Harp in the Air
'Tis the Harp in the Air
'Tis the Harp in the Air
'Tis the Harp in the Air
Hutchings & Romer, 1845.
Editorial
London: Hutchings & Romer, 1845. Plate H. & R. 5324.
Derechos de autor
'Tis the Harp in the Air
'Tis the Harp in the Air
Robert A. Hudson, 2025.
Turn On, Old Time
Turn On, Old Time
Turn On, Old Time
Turn On, Old Time
W. H. Glen, n.d.[between 1891-1900].
Editorial
Melbourne: W. H. Glen, n.d.[between 1891-1900]. Plate D. & S. 5155.
Observaciones varias
Trio for Alto, Tenor, Bass & piano
Derechos de autor
Turn On, Old Time
Turn On, Old Time
Robert A. Hudson, 2025.
Yes! Let Me Like a Soldier Fall
Yes! Let Me Like a Soldier Fall
Yes! Let Me Like a Soldier Fall
Yes! Let Me Like a Soldier Fall
Music Supply Coy., n.d.[1889-90].
Editorial
Bendigo: Music Supply Coy., n.d.[1889-90].
Observaciones varias
This file is part of the Submission Project.
Derechos de autor
Yes! Let Me Like a Soldier Fall
Yes! Let Me Like a Soldier Fall
W. Paxton & Co., n.d.[1900].
Editorial
London: W. Paxton & Co., n.d.[1900]. Plate 595.
Observaciones varias
This file is part of the Submission Project.
Same as Let me Like a Soldier Fall.
Same as Let me Like a Soldier Fall.
Derechos de autor
Yes! Let Me Like a Soldier Fall
Yes! Let Me Like a Soldier Fall
Robert A. Hudson, 2025.
In that Devotion Which We Breathe
In that Devotion Which We Breathe
In that Devotion Which We Breathe
In that Devotion Which We Breathe
Grocott, n.d.(ca.1859).
Editorial
Sydney: Grocott, n.d.(ca.1859).
Derechos de autor
In that Devotion Which We Breathe
In that Devotion Which We Breathe
Robert A. Hudson, 2025.