Original version, Wq.30
Orfeo ed Euridice, Wq.30
Más información
Partituras
Interpretaciones
Partituras generales
Manuscript, n.d.[1762?].
Idioma
Italian
Editorial
Manuscript, n.d.[1762?].
Observaciones varias
The Morgan Library & Museum, New York (US-NYpm): Cary 39
This file is part of the Submission Project.
This file is part of the Submission Project.
Derechos de autor
Manuscript, n.d.
Editorial
Manuscript, n.d.
Observaciones varias
Österreichische Nationalbibliothek, Vienna (A-Wn) : Mus.Hs.17783
Derechos de autor
Duchesne, 1764.
Manuscript, 1838-1900.
Editorial
Manuscript, 1838-1900.
Observaciones varias
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-504
Derechos de autor
Österreichischer Bundesverlag, 1914.
Revisor
Hermann Abert (1871–1927)
Idioma
Italian / German
Editorial
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Observaciones varias
This file is part of the Sibley Mirroring Project.
Derechos de autor
Österreichischer Bundesverlag, 1914.
Revisor
Hermann Abert (1871–1927)
Idioma
Italian / German
Editorial
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Reimpresión
Orfeo ed Euridice in Full Score
Mineola: Dover Publications, 1992.
Mineola: Dover Publications, 1992.
Derechos de autor
En esta página
Orfeo ed Euridice, Wq.30
Más información
Original version, Wq.30
Original version, Wq.30
Original version, Wq.30
Original version, Wq.30
Manuscript, n.d.[1762?].
Idioma
Italian
Editorial
Manuscript, n.d.[1762?].
Observaciones varias
The Morgan Library & Museum, New York (US-NYpm): Cary 39
This file is part of the Submission Project.
This file is part of the Submission Project.
Derechos de autor
Original version, Wq.30
Original version, Wq.30
Manuscript, n.d.
Editorial
Manuscript, n.d.
Observaciones varias
Österreichische Nationalbibliothek, Vienna (A-Wn) : Mus.Hs.17783
Derechos de autor
Original version, Wq.30
Original version, Wq.30
Duchesne, 1764.
Original version, Wq.30
Original version, Wq.30
Manuscript, 1838-1900.
Editorial
Manuscript, 1838-1900.
Observaciones varias
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-504
Derechos de autor
Original version, Wq.30
Original version, Wq.30
Österreichischer Bundesverlag, 1914.
Revisor
Hermann Abert (1871–1927)
Idioma
Italian / German
Editorial
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Observaciones varias
This file is part of the Sibley Mirroring Project.
Derechos de autor
Original version, Wq.30
Original version, Wq.30
Österreichischer Bundesverlag, 1914.
Revisor
Hermann Abert (1871–1927)
Idioma
Italian / German
Editorial
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Reimpresión
Orfeo ed Euridice in Full Score
Mineola: Dover Publications, 1992.
Mineola: Dover Publications, 1992.
Derechos de autor
Original version, Wq.30
Original version, Wq.30
Bärenreiter, 1962.
Revisor
Anna Amalie Abert (1906–1996)
Ludwig Finscher (1930–2020)
Ludwig Finscher (1930–2020)
Idioma
Italian / German
Editorial
Kassel: Bärenreiter, 1962. Plate BA 2294
Derechos de autor
Original version, Wq.30
Original version, Wq.30
Bärenreiter, 1962.
Revisor
Anna Amalie Abert (1906–1996)
Ludwig Finscher (1930–2020)
Ludwig Finscher (1930–2020)
Editorial
Kassel: Bärenreiter, 1962. Plate BA 2294.
Observaciones varias
add missing p.116 to #338237; rescan p.183 of #338237; turn #338237 from greyscale to B&W
Derechos de autor
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Manuscript, n.d.[1774].
Copista
Copyist S-Dl-547
Copyist S-Dl-548
Copyist S-Dl-548
Editorial
Manuscript, n.d.[1774].
Observaciones varias
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-13
Co-composed by Domenico Fischietti (ca. 1725-1783) with movements by Johann Christian Bach (1735-1782) and Josef Mysliveček (1737-1781)
Co-composed by Domenico Fischietti (ca. 1725-1783) with movements by Johann Christian Bach (1735-1782) and Josef Mysliveček (1737-1781)
Derechos de autor
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Manuscript, 1773.
Editorial
Manuscript, 1773.
Observaciones varias
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms. 22341
Derechos de autor
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Manuscript, n.d.(ca.1774).
Editorial
Manuscript, n.d.(ca.1774).
Observaciones varias
Biblioteca del Conservatorio di musica S. Pietro a Majella (I-Nc) : 27.4.5-7
Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
Derechos de autor
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Michel Rondeau.
Revisor
Editorial
Michel Rondeau
Observaciones varias
These file(s) are part of the Werner Icking Music Collection.
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Creative Commons Attribution Share Alike 3.0
Rutger Hofman.
Revisor
Editorial
Rutger Hofman
Derechos de autor
Creative Commons Attribution Share Alike 3.0
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Michel Rondeau.
Revisor
Editorial
Michel Rondeau
Observaciones varias
These file(s) are part of the Werner Icking Music Collection.