Concerto for Flute, Violin and Cello, TWV 53:A2
4 movements
Más información
Partituras
Interpretaciones
Partituras y particellas
Manuscript, n.d.(ca.1733-60).
Copista
Johann Samuel Endler (1694–1762)
Editorial
Manuscript, n.d.(ca.1733-60).
Observaciones varias
Universitäts- und Landesbibliothek, Darmstadt (D-DS): Mus.ms 1033/31a
Derechos de autor
1959.
Revisor
Max Seiffert (1868–1948)
Hans Joachim Moser (1889–1967), reissue editor
Hans Joachim Moser (1889–1967), reissue editor
Editorial
Denkmäler deutscher Tonkunst, Erste Folge; Bd.61-62:
G.P. Telemann: Tafelmusik (pp.36-64)
Leipzig: Breitkopf und Härtel, 1927. Plate D.D.T. LXI.LXII.
Reissue — Wiesbaden: 1959.
G.P. Telemann: Tafelmusik (pp.36-64)
Leipzig: Breitkopf und Härtel, 1927. Plate D.D.T. LXI.LXII.
Reissue — Wiesbaden: 1959.
Derechos de autor
Ole Vedel Villumsen.
Revisor
Ole Vedel Villumsen (b. 1959)
Editorial
Ole Vedel Villumsen
Observaciones varias
The use of plural for strings (violins, violas) follows IMSLP practice even though there is no evidence that Telemann envisioned more than one player on each part.
1-5 /9
Concerto for Flute, Violin and Cello, TWV 53:A2
4 movements
Más información
Manuscript, n.d.(ca.1733-60).
Copista
Johann Samuel Endler (1694–1762)
Editorial
Manuscript, n.d.(ca.1733-60).
Observaciones varias
Universitäts- und Landesbibliothek, Darmstadt (D-DS): Mus.ms 1033/31a
Derechos de autor
1959.
Revisor
Max Seiffert (1868–1948)
Hans Joachim Moser (1889–1967), reissue editor
Hans Joachim Moser (1889–1967), reissue editor
Editorial
Denkmäler deutscher Tonkunst, Erste Folge; Bd.61-62:
G.P. Telemann: Tafelmusik (pp.36-64)
Leipzig: Breitkopf und Härtel, 1927. Plate D.D.T. LXI.LXII.
Reissue — Wiesbaden: 1959.
G.P. Telemann: Tafelmusik (pp.36-64)
Leipzig: Breitkopf und Härtel, 1927. Plate D.D.T. LXI.LXII.
Reissue — Wiesbaden: 1959.
Derechos de autor
Ole Vedel Villumsen.
Revisor
Ole Vedel Villumsen (b. 1959)
Editorial
Ole Vedel Villumsen
Observaciones varias
The use of plural for strings (violins, violas) follows IMSLP practice even though there is no evidence that Telemann envisioned more than one player on each part.