Mozart's Fragment
Oboe Concerto in F major, K.293/416f
Más información
Partituras
Interpretaciones
Partituras generales
Holograph manuscript, n.d.(ca.1778).
Editorial
Holograph manuscript, n.d.(ca.1778).
Observaciones varias
Facsimile published in Fleischer: Mozart (1900) of a single sheet that is now lost. Evidently reproduces lines 2-3 of 10, the rest being blank.
Derechos de autor
Breitkopf & Härtel, 1882.
Revisor
Ernst Rudorff (1840–1916)
First edition
First edition
Editorial
Mozarts Werke, Serie XXIV:
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Observaciones varias
Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
Derechos de autor
Bärenreiter-Verlag, 1981.
Revisor
Franz Giegling (1921–2007)
Editorial
Neue Mozart-Ausgabe, Serie V, Werkgruppe 14 [NMA V/14/3] (pp.167-173)
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Observaciones varias
scan: score scanned at 600dpi (High Quality Scanning)
Derechos de autor
Completions
Completions
Gavin Jared Bala, 2023 (June).
Arreglista
Gavin Jared Bala (b. 1999)
Editorial
Gavin Jared Bala, 2023 (June).
Observaciones varias
Mozart fully orchestrated the movement up to the end of bar 50. From bar 51 to the first beat of bar 70 Mozart only wrote a single line (the oboe solo, plus the first violins in bars 62-63); everything past that was added by the completer.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
En esta página
Oboe Concerto in F major, K.293/416f
Más información
Mozart's Fragment
Mozart's Fragment
Mozart's Fragment
Mozart's Fragment
Holograph manuscript, n.d.(ca.1778).
Editorial
Holograph manuscript, n.d.(ca.1778).
Observaciones varias
Facsimile published in Fleischer: Mozart (1900) of a single sheet that is now lost. Evidently reproduces lines 2-3 of 10, the rest being blank.
Derechos de autor
Mozart's Fragment
Mozart's Fragment
Breitkopf & Härtel, 1882.
Revisor
Ernst Rudorff (1840–1916)
First edition
First edition
Editorial
Mozarts Werke, Serie XXIV:
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Observaciones varias
Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
Derechos de autor
Mozart's Fragment
Mozart's Fragment
Bärenreiter-Verlag, 1981.
Revisor
Franz Giegling (1921–2007)
Editorial
Neue Mozart-Ausgabe, Serie V, Werkgruppe 14 [NMA V/14/3] (pp.167-173)
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Observaciones varias
scan: score scanned at 600dpi (High Quality Scanning)
Derechos de autor
Completions
Completions
Completions
Completions
Gavin Jared Bala, 2023 (June).
Arreglista
Gavin Jared Bala (b. 1999)
Editorial
Gavin Jared Bala, 2023 (June).
Observaciones varias
Mozart fully orchestrated the movement up to the end of bar 50. From bar 51 to the first beat of bar 70 Mozart only wrote a single line (the oboe solo, plus the first violins in bars 62-63); everything past that was added by the completer.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.