Partituras
Interpretaciones
Partituras generales
Boosey & Hawkes, 1967.
Editorial
London: Boosey & Hawkes, 1967. Plate B. & H. 19441.
Observaciones varias
This score contains corrections through 1947 but the copyright claim remains "1912, 1921". The 1967 date refers to the new engraving done for this issue.
Derechos de autor
Editions Russes de Musique, 1921.
Revisor
First edition
Editorial
Berlin: Editions Russes de Musique, 1921. Plate R.M.V. 197b.
Observaciones varias
Note the Sacrificial Dance is completely different from today's versions, as Stravinsky recomposed it in 1926. A handful of markings in the score were made by C. F. Nieweg. Score used to belong to Jascha Horenstein.
Derechos de autor
Russischer Musikverlag G.m.b.H., 1921**.
Revisor
Second edition (1929)
Friedrich Hermann Schneider (1860–1930) alleged editor*
Friedrich Hermann Schneider (1860–1930) alleged editor*
Editorial
Berlin: Russischer Musikverlag G.m.b.H., 1921**. Plate R.M.V. 197.
Reimpresión
London: Boosey & Hawkes, 1948. Plate B. & H. 16333.
Observaciones varias
- As discussed elsewhere, F.H. Schneider's "editorship" was a ruse to claim US copyright protection for Stravinsky and other composers who were ineligible for it at the time. However, this edition does contain numerous significant changes from the first edition and features a lengthy errata list at the end of the score. See "Key to Printed Editions" in the 2021 Critical Performing Edition (Serenissima Music)
**The copyright date was not changed from 1921 even though this edition appeared in 1929; it can be distinguished by the presence of Schneider's name.
#787324: Processed version of #756159.
Derechos de autor
Muzyka, 1965.
Editorial
Moscow: Muzyka, 1965. Plate 1501.
Reimpresión
The Rite of Spring in Full Score
Mineola: Dover Publications, 1989.
Mineola: Dover Publications, 1989.
Observaciones varias
This score is based on the 1965 Boosey score (B. & H. 16333, but a later and more accurate printing than the score below). See "Key to Printed Editions" in the 2021 Critical Performing Edition (Serenissima Music)
#524674: B&W, medium quality. Originally submitted by Jdeperi on 19 December 2010; #524674 replaced with newer scan at 600dpi.
#524674: B&W, medium quality. Originally submitted by Jdeperi on 19 December 2010; #524674 replaced with newer scan at 600dpi.
Derechos de autor
Musytschna Ukraina, n.d.[1975].
Editorial
Kiev: Musytschna Ukraina, n.d.[1975].
Observaciones varias
This score is based on the 1965 Muzyka score.
B&W, medium quality. #524678, #524679 and #524680 originally submitted by Jdeperi on 19 December 2010. Editing: re-sampled to 600 dpi, converted to black-and-white tif files, deskewed, and set uniform margins.
B&W, medium quality. #524678, #524679 and #524680 originally submitted by Jdeperi on 19 December 2010. Editing: re-sampled to 600 dpi, converted to black-and-white tif files, deskewed, and set uniform margins.
Derechos de autor
Boosey & Hawkes, 1967.
Editorial
London: Boosey & Hawkes, 1967. Plate B. & H. 19441.
Reimpresión
Beijing: People's Music Publishing House, 1983.
Observaciones varias
Bad scan quality.
Derechos de autor
Boosey & Hawkes, 1967.
Editorial
London: Boosey & Hawkes, 1967. Plate B. & H. 19441.
Observaciones varias
This score contains corrections through 1947 but the copyright claim remains "1912, 1921". The 1967 date refers to the new engraving done for this issue.
Derechos de autor
Editions Russes de Musique, 1921.
Revisor
First edition
Editorial
Berlin: Editions Russes de Musique, 1921. Plate R.M.V. 197b.
Observaciones varias
Note the Sacrificial Dance is completely different from today's versions, as Stravinsky recomposed it in 1926. A handful of markings in the score were made by C. F. Nieweg. Score used to belong to Jascha Horenstein.
Derechos de autor
Russischer Musikverlag G.m.b.H., 1921**.
Revisor
Second edition (1929)
Friedrich Hermann Schneider (1860–1930) alleged editor*
Friedrich Hermann Schneider (1860–1930) alleged editor*
Editorial
Berlin: Russischer Musikverlag G.m.b.H., 1921**. Plate R.M.V. 197.
Reimpresión
London: Boosey & Hawkes, 1948. Plate B. & H. 16333.
Observaciones varias
- As discussed elsewhere, F.H. Schneider's "editorship" was a ruse to claim US copyright protection for Stravinsky and other composers who were ineligible for it at the time. However, this edition does contain numerous significant changes from the first edition and features a lengthy errata list at the end of the score. See "Key to Printed Editions" in the 2021 Critical Performing Edition (Serenissima Music)
**The copyright date was not changed from 1921 even though this edition appeared in 1929; it can be distinguished by the presence of Schneider's name.
#787324: Processed version of #756159.
Derechos de autor
Muzyka, 1965.
Editorial
Moscow: Muzyka, 1965. Plate 1501.
Reimpresión
The Rite of Spring in Full Score
Mineola: Dover Publications, 1989.
Mineola: Dover Publications, 1989.
Observaciones varias
This score is based on the 1965 Boosey score (B. & H. 16333, but a later and more accurate printing than the score below). See "Key to Printed Editions" in the 2021 Critical Performing Edition (Serenissima Music)
#524674: B&W, medium quality. Originally submitted by Jdeperi on 19 December 2010; #524674 replaced with newer scan at 600dpi.
#524674: B&W, medium quality. Originally submitted by Jdeperi on 19 December 2010; #524674 replaced with newer scan at 600dpi.
Derechos de autor
Musytschna Ukraina, n.d.[1975].
Editorial
Kiev: Musytschna Ukraina, n.d.[1975].
Observaciones varias
This score is based on the 1965 Muzyka score.
B&W, medium quality. #524678, #524679 and #524680 originally submitted by Jdeperi on 19 December 2010. Editing: re-sampled to 600 dpi, converted to black-and-white tif files, deskewed, and set uniform margins.
B&W, medium quality. #524678, #524679 and #524680 originally submitted by Jdeperi on 19 December 2010. Editing: re-sampled to 600 dpi, converted to black-and-white tif files, deskewed, and set uniform margins.
Derechos de autor
Boosey & Hawkes, 1967.
Editorial
London: Boosey & Hawkes, 1967. Plate B. & H. 19441.
Reimpresión
Beijing: People's Music Publishing House, 1983.
Observaciones varias
Bad scan quality.
Derechos de autor