Partituras
Interpretaciones
Partituras generales
Holograph manuscript, n.d.(ca.1701-41).
Editorial
Holograph manuscript, n.d.(ca.1701-41).
Observaciones varias
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 34, f.151r-154v
Derechos de autor
G. Ricordi & C., 1949.
Revisor
Gian Francesco Malipiero (1882–1973)
Editorial
Le Opere di Antonio Vivaldi, Vol.XIII, Tomo 49
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Derechos de autor
Eulenburg, n.d.
Revisor
Felix Schroeder (1908–1976)
Reimpresión
Boca Raton: E.F. Kalmus, n.d.(1987–2018). Catalog A2215.
Derechos de autor
Alonso del Arte.
Revisor
Editorial
Alonso del Arte
Observaciones varias
The rehearsal letters are the same as in Sandra Dackow's edition, except that in the very short slow movement I thought the one rehearsal letter to be completely unnecessary. While I'm generally averse to putting rehearsal letters at middle repeats, I put letter C over the middle repeat in the finale so as to not differ from Dackow's letters. Unlike Dackow's, this is not an educational arrangement: first violinists will have to count through their "whole notes" in the first movement.
Holograph manuscript, n.d.(ca.1701-41).
Editorial
Holograph manuscript, n.d.(ca.1701-41).
Observaciones varias
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 34, f.151r-154v
Derechos de autor
G. Ricordi & C., 1949.
Revisor
Gian Francesco Malipiero (1882–1973)
Editorial
Le Opere di Antonio Vivaldi, Vol.XIII, Tomo 49
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Derechos de autor
Eulenburg, n.d.
Revisor
Felix Schroeder (1908–1976)
Reimpresión
Boca Raton: E.F. Kalmus, n.d.(1987–2018). Catalog A2215.
Derechos de autor
Alonso del Arte.
Revisor
Editorial
Alonso del Arte
Observaciones varias
The rehearsal letters are the same as in Sandra Dackow's edition, except that in the very short slow movement I thought the one rehearsal letter to be completely unnecessary. While I'm generally averse to putting rehearsal letters at middle repeats, I put letter C over the middle repeat in the finale so as to not differ from Dackow's letters. Unlike Dackow's, this is not an educational arrangement: first violinists will have to count through their "whole notes" in the first movement.