Complete
Partituras
Interpretaciones
Partituras
Bärenreiter, 1950.
Revisor
August Wenzinger (1905–1996)
Editorial
Bach: Sechs Suiten für Violoncello solo, No.1 (pp.4-9)
Kassel: Bärenreiter, 1950. Plate BA 320.
Kassel: Bärenreiter, 1950. Plate BA 320.
Observaciones varias
Score redacted to exclude editorial fingerings and bowings.
Derechos de autor
Bärenreiter Verlag, 1988.
Revisor
Hans Eppstein (1911–2008)
Editorial
Neue Bach-Ausgabe, Serie VI, Band 2 (pp.2-7, 54-59)
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
Observaciones varias
Text I: Based on the copies by Anna Magdalena Bach, Johann Peter Kellner.
Text II: Based on anonymous copy (2nd half 18th century).
Text II: Based on anonymous copy (2nd half 18th century).
Derechos de autor
Manuscript, n.d.(ca.1727-31).
Copista
Anna Magdalena Bach (1701–1760)
Editorial
Manuscript, n.d.(ca.1727-31).
Observaciones varias
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 269 (1)
Part of BWV 1008 is visible at the end.
Part of BWV 1008 is visible at the end.
Derechos de autor
Breitkopf und Härtel, 1879.
Revisor
Alfred Dörffel (1821–1905)
Editorial
Bach-Gesellschaft Ausgabe, Band 27.1 (pp.57-63)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Reimpresión
Mineola: Dover Publications, 1988.
Derechos de autor
Breitkopf und Härtel, n.d.(ca.1900).
Revisor
Julius Klengel (1859–1933)
Editorial
Leipzig: Breitkopf und Härtel, n.d.(ca.1900). Plate 22879.
Derechos de autor
C.F. Peters, No. 238, n.d.(ca.1911).
Revisor
Hugo Becker (1863–1941)
Editorial
Leipzig: C.F. Peters, No. 238, n.d.(ca.1911). Plate 9148.
Derechos de autor
En esta página
Listo
Complete
Complete
Bärenreiter, 1950.
Revisor
August Wenzinger (1905–1996)
Editorial
Bach: Sechs Suiten für Violoncello solo, No.1 (pp.4-9)
Kassel: Bärenreiter, 1950. Plate BA 320.
Kassel: Bärenreiter, 1950. Plate BA 320.
Observaciones varias
Score redacted to exclude editorial fingerings and bowings.
Derechos de autor
Complete
Complete
Bärenreiter Verlag, 1988.
Revisor
Hans Eppstein (1911–2008)
Editorial
Neue Bach-Ausgabe, Serie VI, Band 2 (pp.2-7, 54-59)
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
Kassel: Bärenreiter Verlag, 1988. Plate BA 5068.
Observaciones varias
Text I: Based on the copies by Anna Magdalena Bach, Johann Peter Kellner.
Text II: Based on anonymous copy (2nd half 18th century).
Text II: Based on anonymous copy (2nd half 18th century).
Derechos de autor
Complete
Complete
Manuscript, n.d.(ca.1727-31).
Copista
Anna Magdalena Bach (1701–1760)
Editorial
Manuscript, n.d.(ca.1727-31).
Observaciones varias
Staatsbibliothek zu Berlin (D-B) : Mus.ms. Bach P 269 (1)
Part of BWV 1008 is visible at the end.
Part of BWV 1008 is visible at the end.
Derechos de autor
Complete
Complete
Breitkopf und Härtel, 1879.
Revisor
Alfred Dörffel (1821–1905)
Editorial
Bach-Gesellschaft Ausgabe, Band 27.1 (pp.57-63)
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Leipzig: Breitkopf und Härtel, 1879. Plate B.W. XXVII (1).
Reimpresión
Mineola: Dover Publications, 1988.
Derechos de autor
Complete
Complete
Breitkopf und Härtel, n.d.(ca.1900).
Revisor
Julius Klengel (1859–1933)
Editorial
Leipzig: Breitkopf und Härtel, n.d.(ca.1900). Plate 22879.
Derechos de autor
Complete
Complete
C.F. Peters, No. 238, n.d.(ca.1911).
Revisor
Hugo Becker (1863–1941)
Editorial
Leipzig: C.F. Peters, No. 238, n.d.(ca.1911). Plate 9148.
Derechos de autor
Complete
Complete
Francois Salabert S.A., 1929.
Revisor
Diran Alexanian (1881–1954)
Editorial
Six Suites pour Violoncelle seul No.1 (pp.1-11)
Paris: Francois Salabert S.A., 1929. Plate SECA 16.
Paris: Francois Salabert S.A., 1929. Plate SECA 16.
Derechos de autor
Complete
Complete
Breitkopf und Härtel, 2000.
Revisor
Kirsten Beißwenger (1960–2013)
Editorial
Bach: Sechs Suiten für Violoncello solo, No.1 (pp.6-11)
Wiesbaden: Breitkopf und Härtel, 2000. Plate EB 8714.
Wiesbaden: Breitkopf und Härtel, 2000. Plate EB 8714.
Derechos de autor
Complete
Complete
Shin-Itchiro Yokoyama.
Revisor
Editorial
Shin-Itchiro Yokoyama
Observaciones varias
Based on the copies by Anna Magdalena Bach, Johann Peter Kellner.
See also Editor's Notes
See also Editor's Notes
Complete
Complete
Public Domain (dedicated)
Cellofun.eu, 2021.
Revisor
Editorial
Cellofun.eu, 2021.
Observaciones varias
Here, the four known manuscript sources have been typeset and laid out in score format principally in order to make for an easy comparison of the bowings (slurs). This is not an academic, scholarly work, in the sense that there are a few typos (note errors) and not all of the minor differences in notes and rhythms between the different manuscripts have been reproduced. We have however tried to reproduce as closely as possible the ambiguities in the placements and shapes of the slurs of the original manuscripts. Two playing editions are also offered: an Edited one (with fingering and bowing suggestions) and a Clean Version (with nothing but the notes).For best results, print on A4 paper. For more information see cellofun.eu
Derechos de autor
Public Domain (dedicated)
Prélude (No.1)
Prélude (No.1)
Prélude (No.1)
Prélude (No.1)
Shin-Itchiro Yokoyama.
Revisor
Editorial
Shin-Itchiro Yokoyama
Observaciones varias
Analysis on the structure of the prélude.
Menuet I-II (Nos.5-6)
Menuet I-II (Nos.5-6)
Menuet I-II (Nos.5-6)
Menuet I-II (Nos.5-6)
Yves Verbandt.