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Koussevitzky, Serge

Koussevitzky, Serge

2 Morceaux, Op.1

•

2 pieces

Más información

Partituras

Interpretaciones

Partituras y particellas

Andante (No.1)


2 Morceaux, Op.1
2 Morceaux, Op.1

Public Domain

P. Jurgenson, n.d.1907 .

Revisor

First edition

Editorial

Moscow: P. Jurgenson, n.d.1907 .

Observaciones varias

Piano part in A major and bass part written in G major for performance in solo tuning (F#-B-e-a).

Derechos de autor

Complete Score

Double Bass Part

2 Morceaux, Op.1
2 Morceaux, Op.1

Creative Commons Attribution Non-commercial 3.0

Virtuosito.

Revisor

Editorial

Virtuosito

Observaciones varias

Bass part in G major for peformance in solo tuning (F#-B-e-a) with piano part in A major, or for playing in orchestra tuning (E-A-d-g) with piano part in G major.

Derechos de autor

Creative Commons Attribution Non-commercial 3.0

Double Bass Part

Valse Miniature (No.2)


International Music Company, 1949.

Revisor

Fred Zimmermann (1906–1967)

Editorial

New York: International Music Company, 1949. Plate 1154.

Observaciones varias

Piano part in A major and bass part written in G major for performance in solo tuning (F#-B-e-a).

Derechos de autor

Complete Score

(Recurso externo)

Double Bass Part

(Recurso externo)

2 Morceaux, Op.1
2 Morceaux, Op.1

Anders Rove.

Editorial

Anders Rove

Observaciones varias

Bass part transposed up a whole step to A major.

Derechos de autor

Double Bass Part (Transposed, A major)

2 Morceaux, Op.1
2 Morceaux, Op.1

Zakriya Bashir-Hill, 2019.

Arreglista

Editorial

Zakriya Bashir-Hill, 2019.

Observaciones varias

Transposed piano part down a whole step to G major for use with a standard tuned bass.

Derechos de autor

Piano Part (Transposed, G major)

En esta página

2 Morceaux, Op.1

2 pieces

Más información

Andante (No.1)

Andante (No.1)


P. Jurgenson, n.d.1907 .

Revisor

First edition

Editorial

Moscow: P. Jurgenson, n.d.1907 .

Observaciones varias

Piano part in A major and bass part written in G major for performance in solo tuning (F#-B-e-a).

Derechos de autor

Andante (No.1)


2 Morceaux, Op.1
2 Morceaux, Op.1

Creative Commons Attribution Non-commercial 3.0

Virtuosito.

Revisor

Editorial

Virtuosito

Observaciones varias

Bass part in G major for peformance in solo tuning (F#-B-e-a) with piano part in A major, or for playing in orchestra tuning (E-A-d-g) with piano part in G major.

Derechos de autor

Creative Commons Attribution Non-commercial 3.0

Valse Miniature (No.2)

Valse Miniature (No.2)


International Music Company, 1949.

Revisor

Fred Zimmermann (1906–1967)

Editorial

New York: International Music Company, 1949. Plate 1154.

Observaciones varias

Piano part in A major and bass part written in G major for performance in solo tuning (F#-B-e-a).

Derechos de autor

Valse Miniature (No.2)


2 Morceaux, Op.1
2 Morceaux, Op.1

Anders Rove.

Editorial

Anders Rove

Observaciones varias

Bass part transposed up a whole step to A major.

Derechos de autor

Valse Miniature (No.2)


2 Morceaux, Op.1
2 Morceaux, Op.1

Zakriya Bashir-Hill, 2019.

Arreglista

Editorial

Zakriya Bashir-Hill, 2019.

Observaciones varias

Transposed piano part down a whole step to G major for use with a standard tuned bass.

Derechos de autor