Partituras
Partituras
Ehsan Saboohi, 2025.
Editorial
Ehsan Saboohi, 2025.
Observaciones varias
The 46 Etudes for Multiple Percussion Solos were composed between 2020 and 2025 and were completed at the end of 2025. During this period, I focused on reexamining temporal organization within the conceptual framework of post-orientalism. In this collection, the counting unit is QPS (events per line per second). Each event is represented by H (hit) and S (silence), with the precise timing (in seconds) indicated at the end of each line. I drew on mathematical and physical series and sequences, along with a variety of compositional techniques, to develop each etude. This approach frees the composition from reliance on improvisation and indeterminate performance, providing a more exact structural framework. It is my honor that these 46 etudes have found a place in performers’ repertoires, enabling musicians to interpret and perform them using creative, varied, and colorful instrumentations. I hereby grant all performers free permission to copy, download, perform publicly, and record these etudes, so that they may be re-created through fully innovative combinations.
Ehsan Saboohi, 2025.
Editorial
Ehsan Saboohi, 2025.
Observaciones varias
The 46 Etudes for Multiple Percussion Solos were composed between 2020 and 2025 and were completed at the end of 2025. During this period, I focused on reexamining temporal organization within the conceptual framework of post-orientalism. In this collection, the counting unit is QPS (events per line per second). Each event is represented by H (hit) and S (silence), with the precise timing (in seconds) indicated at the end of each line. I drew on mathematical and physical series and sequences, along with a variety of compositional techniques, to develop each etude. This approach frees the composition from reliance on improvisation and indeterminate performance, providing a more exact structural framework. It is my honor that these 46 etudes have found a place in performers’ repertoires, enabling musicians to interpret and perform them using creative, varied, and colorful instrumentations. I hereby grant all performers free permission to copy, download, perform publicly, and record these etudes, so that they may be re-created through fully innovative combinations.