Messe d'intavolatura d'organo
3 Masses and 3 Credos
Más información
Partituras
Partituras
American Institute of Musicology, 1991.
Revisor
Robert Judd (1956–2019)
John Anthony Caldwell (b. 1938), general editor
John Anthony Caldwell (b. 1938), general editor
Editorial
Rome: American Institute of Musicology, 1991.
Observaciones varias
750 dpi, monochrome. Most of preface removed; critical notes retained. This edition also contains reproductions of chants from 16th-century sources on which this organ music was based.
Aspects retained from original source: note values; hand division as represented in upper and lower staves; dotted notes (even across barlines).
Aspects changed or supplemented by the editor: accidentals may receive editorial cancellations or additions (in small type or parentheses); beaming is adjusted to match the style of Merulo's engraved works; dotted bar lines are used for exceptions to normal bar placement; staves and clefs are modernized.
Aspects retained from original source: note values; hand division as represented in upper and lower staves; dotted notes (even across barlines).
Aspects changed or supplemented by the editor: accidentals may receive editorial cancellations or additions (in small type or parentheses); beaming is adjusted to match the style of Merulo's engraved works; dotted bar lines are used for exceptions to normal bar placement; staves and clefs are modernized.
Derechos de autor
Messe d'intavolatura d'organo
3 Masses and 3 Credos
Más información
American Institute of Musicology, 1991.
Revisor
Robert Judd (1956–2019)
John Anthony Caldwell (b. 1938), general editor
John Anthony Caldwell (b. 1938), general editor
Editorial
Rome: American Institute of Musicology, 1991.
Observaciones varias
750 dpi, monochrome. Most of preface removed; critical notes retained. This edition also contains reproductions of chants from 16th-century sources on which this organ music was based.
Aspects retained from original source: note values; hand division as represented in upper and lower staves; dotted notes (even across barlines).
Aspects changed or supplemented by the editor: accidentals may receive editorial cancellations or additions (in small type or parentheses); beaming is adjusted to match the style of Merulo's engraved works; dotted bar lines are used for exceptions to normal bar placement; staves and clefs are modernized.
Aspects retained from original source: note values; hand division as represented in upper and lower staves; dotted notes (even across barlines).
Aspects changed or supplemented by the editor: accidentals may receive editorial cancellations or additions (in small type or parentheses); beaming is adjusted to match the style of Merulo's engraved works; dotted bar lines are used for exceptions to normal bar placement; staves and clefs are modernized.
Derechos de autor