Partituras
Interpretaciones
Partituras
Gavin Jared Bala.
Editorial
Gavin Jared Bala
Observaciones varias
Based on poems 026-044 of the Shijing (see the filenames for the continuous numbering).
For "Sweet Maiden" (Op. 3 No. 17), eighth note = 40 is offered in the score as a practical upper limit for the beginning. Sentiment has its tempo, and performers should slow down for the heavy ornamentation in 256th notes and 512th notes, e.g. bar 13.
For "Sweet Maiden" (Op. 3 No. 17), eighth note = 40 is offered in the score as a practical upper limit for the beginning. Sentiment has its tempo, and performers should slow down for the heavy ornamentation in 256th notes and 512th notes, e.g. bar 13.
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Gavin Jared Bala.
Editorial
Gavin Jared Bala
Observaciones varias
Based on poems 026-044 of the Shijing (see the filenames for the continuous numbering).
For "Sweet Maiden" (Op. 3 No. 17), eighth note = 40 is offered in the score as a practical upper limit for the beginning. Sentiment has its tempo, and performers should slow down for the heavy ornamentation in 256th notes and 512th notes, e.g. bar 13.
For "Sweet Maiden" (Op. 3 No. 17), eighth note = 40 is offered in the score as a practical upper limit for the beginning. Sentiment has its tempo, and performers should slow down for the heavy ornamentation in 256th notes and 512th notes, e.g. bar 13.