Partituras
Partituras y particellas
Autograph manuscript, n.d.(1720-35).
Editorial
Autograph manuscript, n.d.(1720-35).
Observaciones varias
Derechos de autor
Autograph manuscript, n.d.(1720-35).
Editorial
Autograph manuscript, n.d.(1720-35).
Observaciones varias
Derechos de autor
Manuscript, n.d.(ca.1720-1735).
Copista
Editorial
Manuscript, n.d.(ca.1720-1735).
Observaciones varias
Derechos de autor
Tim Willis.
Revisor
Editorial
Tim Willis
Observaciones varias
This edition is based on the autograph sources above. The cembalo (or organo, in the manuscript by Troyer) is the only part which accompanies the soloist, and so a continuo cello part is provided without figures so that the keyboard may be reinforced by a cello, as is customary. The Basso Ripieno part, of which two copies are supplied in the autograph parts, is tacet during solo sections. This was probably intended to be played by the section of celli and bassi, and it would also be possible to augment this with a bassoon, especially when oboes are used. The autograph parts contain 2 separate violin 1 parts, the second labelled "violino primo 1 hautb", does not play in the solo sections (marked "pia:"). Presumably a second oboe doubles the second violins during the tutti sections.
Edition MusanKo.
Revisor
Editorial
Observaciones varias
The authorship of Pisendel is doubtful, so the editor prefers to speak from an anonymous composer
Autograph manuscript, n.d.(1720-35).
Editorial
Autograph manuscript, n.d.(1720-35).
Observaciones varias
Derechos de autor
Autograph manuscript, n.d.(1720-35).
Editorial
Autograph manuscript, n.d.(1720-35).
Observaciones varias
Derechos de autor
Manuscript, n.d.(ca.1720-1735).
Copista
Editorial
Manuscript, n.d.(ca.1720-1735).
Observaciones varias
Derechos de autor
Tim Willis.
Revisor
Editorial
Tim Willis
Observaciones varias
This edition is based on the autograph sources above. The cembalo (or organo, in the manuscript by Troyer) is the only part which accompanies the soloist, and so a continuo cello part is provided without figures so that the keyboard may be reinforced by a cello, as is customary. The Basso Ripieno part, of which two copies are supplied in the autograph parts, is tacet during solo sections. This was probably intended to be played by the section of celli and bassi, and it would also be possible to augment this with a bassoon, especially when oboes are used. The autograph parts contain 2 separate violin 1 parts, the second labelled "violino primo 1 hautb", does not play in the solo sections (marked "pia:"). Presumably a second oboe doubles the second violins during the tutti sections.
Edition MusanKo.
Revisor
Editorial
Observaciones varias
The authorship of Pisendel is doubtful, so the editor prefers to speak from an anonymous composer