Partituras
Interpretaciones
Partituras
Holograph manuscript, 1716-17.
Copista
Johann Georg Pisendel (1687-1755) Most of this autograph manuscript is in Vivaldi's handwriting; however, his student, Pisendel, has added spurious notations and an ornamentation for the Siciliana movement as insert p. 11a.
Editorial
Holograph manuscript, 1716-17.
Observaciones varias
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus.2389-O-43
Schrank II coll.
This file is based on high-resolution images obtained from the source using a method explained on this page.
Schrank II coll.
This file is based on high-resolution images obtained from the source using a method explained on this page.
Derechos de autor
Meg Noah, 2024.
Revisor
Editorial
Meg Noah, 2024.
Observaciones varias
This autograph manuscript was used for academic study. Mr. Pisendel was a student of Vivaldi. Some of the notes are not on the right staff for the instruments, and Mr. Pisendel added ornamented versions in empty measures. As such, it is not suitable for practice or performance.
Holograph manuscript, 1716-17.
Copista
Johann Georg Pisendel (1687-1755) Most of this autograph manuscript is in Vivaldi's handwriting; however, his student, Pisendel, has added spurious notations and an ornamentation for the Siciliana movement as insert p. 11a.
Editorial
Holograph manuscript, 1716-17.
Observaciones varias
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus.2389-O-43
Schrank II coll.
This file is based on high-resolution images obtained from the source using a method explained on this page.
Schrank II coll.
This file is based on high-resolution images obtained from the source using a method explained on this page.
Derechos de autor
Meg Noah, 2024.
Revisor
Editorial
Meg Noah, 2024.
Observaciones varias
This autograph manuscript was used for academic study. Mr. Pisendel was a student of Vivaldi. Some of the notes are not on the right staff for the instruments, and Mr. Pisendel added ornamented versions in empty measures. As such, it is not suitable for practice or performance.