Complete
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Más información.
Partituras
Particellas
Huberty, n.d.
Grabador
Mme Huberty
Editorial
Paris: Huberty, n.d.
Observaciones varias
Six Trio pour deux Violons et Alto Viola ou Basse Obligé.
Alternate Cello part missing.
Alternate Cello part missing.
Derechos de autor
Sonatas 1-4
Sonatas 1-4
Markordt, n.d.
Editorial
The Hague: Van Laak, n.d.(ca.1780).
co-issue - Amsterdam: Markordt, n.d.
co-issue - Amsterdam: Markordt, n.d.
Observaciones varias
N.B. Sonatas are presented in the order 4, 1, 3, 2. Alternate Viola missing.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
Derechos de autor
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Bärenreiter Verlag, 1949.
Revisor
Walter Upmeyer (1876-1961)
Editorial
Hortus Musicus, No.37
Kassel: Bärenreiter Verlag, 1949.
Kassel: Bärenreiter Verlag, 1949.
Reimpresión
1957
Observaciones varias
From the uploader's library. Scanned A3 after unstapling. N.B. Sonatas are presented in the order 2, 6, 4.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
Derechos de autor
En esta página
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Más información.
Listo
Complete
Complete
Huberty, n.d.
Grabador
Mme Huberty
Editorial
Paris: Huberty, n.d.
Observaciones varias
Six Trio pour deux Violons et Alto Viola ou Basse Obligé.
Alternate Cello part missing.
Alternate Cello part missing.
Derechos de autor
Sonatas 1-4
Sonatas 1-4
Sonatas 1-4
Sonatas 1-4
Markordt, n.d.
Editorial
The Hague: Van Laak, n.d.(ca.1780).
co-issue - Amsterdam: Markordt, n.d.
co-issue - Amsterdam: Markordt, n.d.
Observaciones varias
N.B. Sonatas are presented in the order 4, 1, 3, 2. Alternate Viola missing.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
Derechos de autor
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Bärenreiter Verlag, 1949.
Revisor
Walter Upmeyer (1876-1961)
Editorial
Hortus Musicus, No.37
Kassel: Bärenreiter Verlag, 1949.
Kassel: Bärenreiter Verlag, 1949.
Reimpresión
1957
Observaciones varias
From the uploader's library. Scanned A3 after unstapling. N.B. Sonatas are presented in the order 2, 6, 4.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
Derechos de autor