Orgelkonzerte nach verschiedenen Meistern
6 concertos
Weitere Informationen
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Weitere Informationen.
Noten
Einspielungen
Partituren
Bärenreiter, 1958.
Herausgeber
Wolfgang Auler (1904–1986)
Third edition
Third edition
Verlag
Kassel: Bärenreiter, 1958. Plate BA 1920.
Sonstige Bemerkungen
From the uploader's library.
In his 1935 preface to the first edition, removed in this scan, Auler states he based the present edition on Max Seiffert's edition, retaining the liveliest pieces for his purpose. He emphasizes the registrations were (presumably by himself) tried out on a typical baroque era instrument, the Schnitger organ in Charlottenburg (Eosanderkapelle) which was destroyed by fire during the war. It has been rebuilt since then.
Pages 6-7 missing.
In his 1935 preface to the first edition, removed in this scan, Auler states he based the present edition on Max Seiffert's edition, retaining the liveliest pieces for his purpose. He emphasizes the registrations were (presumably by himself) tried out on a typical baroque era instrument, the Schnitger organ in Charlottenburg (Eosanderkapelle) which was destroyed by fire during the war. It has been rebuilt since then.
Pages 6-7 missing.
Urheberrecht
Orgelkonzerte nach verschiedenen Meistern
6 concertos
Weitere Informationen
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Weitere Informationen.
Bärenreiter, 1958.
Herausgeber
Wolfgang Auler (1904–1986)
Third edition
Third edition
Verlag
Kassel: Bärenreiter, 1958. Plate BA 1920.
Sonstige Bemerkungen
From the uploader's library.
In his 1935 preface to the first edition, removed in this scan, Auler states he based the present edition on Max Seiffert's edition, retaining the liveliest pieces for his purpose. He emphasizes the registrations were (presumably by himself) tried out on a typical baroque era instrument, the Schnitger organ in Charlottenburg (Eosanderkapelle) which was destroyed by fire during the war. It has been rebuilt since then.
Pages 6-7 missing.
In his 1935 preface to the first edition, removed in this scan, Auler states he based the present edition on Max Seiffert's edition, retaining the liveliest pieces for his purpose. He emphasizes the registrations were (presumably by himself) tried out on a typical baroque era instrument, the Schnitger organ in Charlottenburg (Eosanderkapelle) which was destroyed by fire during the war. It has been rebuilt since then.
Pages 6-7 missing.
Urheberrecht