40 Kleine, leichte und vermischte Orgelpräludien, Op.37
40 preludes
Weitere Informationen
Noten
Partituren
Johann André, n.d.(ca.1820).
Verlag
Offenbach a/M: Johann André, n.d.(ca.1820). Plate 3748.
Sonstige Bemerkungen
Final page missing (i.e. Prelude No.40, part of No.39)
Urheberrecht
Johann André, n.d.(ca.1820).
Verlag
Offenbach a/M: Johann André, n.d.(ca.1820). Plate 3748.
Sonstige Bemerkungen
Final pages Nr. 39+40
Urheberrecht
P.J. Tonger, n.d.
Herausgeber
Heinrich Bungart (1864–1910)
Verlag
Präludien-Album für Orgel oder Harmonium
Cologne: P.J. Tonger, n.d. Plate P.J.T.3036.
Cologne: P.J. Tonger, n.d. Plate P.J.T.3036.
Sonstige Bemerkungen
I found a complete version of prelude 39 in Heinrich Bungarts Präludien-Album für Orgel oder Harmonium, a collection of pieces by different composers.
The piece (No.284, pp.174-175) bears no title or even a composer's name. It's followed by another prelude in B minor (No.285, p.175), which could very well be the missing prelude 40.
The piece (No.284, pp.174-175) bears no title or even a composer's name. It's followed by another prelude in B minor (No.285, p.175), which could very well be the missing prelude 40.
Urheberrecht
40 Kleine, leichte und vermischte Orgelpräludien, Op.37
40 preludes
Weitere Informationen
Johann André, n.d.(ca.1820).
Verlag
Offenbach a/M: Johann André, n.d.(ca.1820). Plate 3748.
Sonstige Bemerkungen
Final page missing (i.e. Prelude No.40, part of No.39)
Urheberrecht
Johann André, n.d.(ca.1820).
Verlag
Offenbach a/M: Johann André, n.d.(ca.1820). Plate 3748.
Sonstige Bemerkungen
Final pages Nr. 39+40
Urheberrecht
P.J. Tonger, n.d.
Herausgeber
Heinrich Bungart (1864–1910)
Verlag
Präludien-Album für Orgel oder Harmonium
Cologne: P.J. Tonger, n.d. Plate P.J.T.3036.
Cologne: P.J. Tonger, n.d. Plate P.J.T.3036.
Sonstige Bemerkungen
I found a complete version of prelude 39 in Heinrich Bungarts Präludien-Album für Orgel oder Harmonium, a collection of pieces by different composers.
The piece (No.284, pp.174-175) bears no title or even a composer's name. It's followed by another prelude in B minor (No.285, p.175), which could very well be the missing prelude 40.
The piece (No.284, pp.174-175) bears no title or even a composer's name. It's followed by another prelude in B minor (No.285, p.175), which could very well be the missing prelude 40.
Urheberrecht