Noten
Einspielungen
Partituren
Manuscript, n.d.
Verlag
Manuscript, n.d.
Sonstige Bemerkungen
Schrank II coll.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Urheberrecht
Schlesinger, n.d.[1836].
Herausgeber
Pierre Baillot (1771–1842)
Verlag
L'Art du Violon
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Sonstige Bemerkungen
Movement 1 is entirely different from the manuscript version above, and there are significant differences in the other movements. Despite the violin tuning AEAE, it is also written at sounding pitch.
Urheberrecht
Manuscript, n.d.
Verlag
Manuscript, n.d.
Sonstige Bemerkungen
Schrank II coll.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Violin uses the scordatura tuning AEAE; however, the score is written at sounding pitch, not transposing for the lowest 2 strings.
Urheberrecht
Schlesinger, n.d.[1836].
Herausgeber
Pierre Baillot (1771–1842)
Verlag
L'Art du Violon
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Berlin: Schlesinger, n.d.[1836]. Plate S.1940.
Sonstige Bemerkungen
Movement 1 is entirely different from the manuscript version above, and there are significant differences in the other movements. Despite the violin tuning AEAE, it is also written at sounding pitch.
Urheberrecht