Noten
Partituren
Ricordi, n.d.[1843].
Verlag
Milan: Ricordi, n.d.[1843]. Plate 15732.
Urheberrecht
Troupenas, n.d.[1843].
Verlag
Paris: Troupenas, n.d.[1843]. Plate T. 1306.
Sonstige Bemerkungen
This is a very interesting proof print, featuring numerous autograph notes by Vieuxtemps. This copy was used by Schott publishing house in Mayence as a print source for their 1843 edition. It includes an early, crossed-out version of the third movement as well as the composer's autograph revision of that movement. Source: Schott Archive D-Mbs Mus.Schott.Ha 7530-4
Urheberrecht
Troupenas, n.d.[1843].
Herausgeber
First print
Verlag
Paris: Troupenas, n.d.[1843]. Plate T. 1306.
Sonstige Bemerkungen
Final version of the first print, converted to black and white, cropped, resized to A4. Source: Schott Archive D-Mbs Mus.Schott.Ha 7530-2
Urheberrecht
B. Schott’s Söhne, n.d.[1843].
Verlag
Mainz: B. Schott’s Söhne, n.d.[1843]. Plate 7374.
Sonstige Bemerkungen
The 1843 print by Schott (which was based on the first edition, published by Troupenas, and on the composer’s own corrections) served as the basis for a revision by Vieuxtemps himself. In a letter to Schott dated September 2, 1862, Vieuxtemps expressed his desire to revise the edition. He had made changes and cuts (Source: D-Bs 55 Nachl 100/B,19832). On November 5, 1862, he sent the revisions to Schott (D-Bs 55 Nachl 100/B,19834). This copy (preserved in the Schott Archive D-Mbs Mus.Schott.Ha 7530-3) includes numerous strikethroughs, autograph additions, and corrections. The revised edition was not published by Schott until 1864.
Urheberrecht
Ricordi, n.d.[1843].
Verlag
Milan: Ricordi, n.d.[1843]. Plate 15732.
Urheberrecht
Troupenas, n.d.[1843].
Verlag
Paris: Troupenas, n.d.[1843]. Plate T. 1306.
Sonstige Bemerkungen
This is a very interesting proof print, featuring numerous autograph notes by Vieuxtemps. This copy was used by Schott publishing house in Mayence as a print source for their 1843 edition. It includes an early, crossed-out version of the third movement as well as the composer's autograph revision of that movement. Source: Schott Archive D-Mbs Mus.Schott.Ha 7530-4
Urheberrecht
Troupenas, n.d.[1843].
Herausgeber
First print
Verlag
Paris: Troupenas, n.d.[1843]. Plate T. 1306.
Sonstige Bemerkungen
Final version of the first print, converted to black and white, cropped, resized to A4. Source: Schott Archive D-Mbs Mus.Schott.Ha 7530-2
Urheberrecht
B. Schott’s Söhne, n.d.[1843].
Verlag
Mainz: B. Schott’s Söhne, n.d.[1843]. Plate 7374.
Sonstige Bemerkungen
The 1843 print by Schott (which was based on the first edition, published by Troupenas, and on the composer’s own corrections) served as the basis for a revision by Vieuxtemps himself. In a letter to Schott dated September 2, 1862, Vieuxtemps expressed his desire to revise the edition. He had made changes and cuts (Source: D-Bs 55 Nachl 100/B,19832). On November 5, 1862, he sent the revisions to Schott (D-Bs 55 Nachl 100/B,19834). This copy (preserved in the Schott Archive D-Mbs Mus.Schott.Ha 7530-3) includes numerous strikethroughs, autograph additions, and corrections. The revised edition was not published by Schott until 1864.
Urheberrecht