Complete
Le dieu et la bayadère
2 acts
Weitere Informationen
Noten
Klavierauszüge
B. Schott's Söhnen, 1831.
Arrangeur
Victor Rifaut (1798–1838), piano reduction
Sprache
French / German
Übersetzer
Karl August von Lichtenstein (1767–1845), German text
Verlag
Mainz: B. Schott's Söhnen, 1831. Plate 3403.
Sonstige Bemerkungen
It seems unclear now which member of the house of Liechtenstein is meant (unless so few of them engaged in work outside the martial that the meaning was clear at the time- an impression one gets, somehow, from Wikipedia articles on the 19th-century Liechtenstein family members; though this may be due to lack of detail/interest in finding out more about individuals. After all, without investigation, one might not know that one- indeed- multiple- members of the family Reuß- across several branches/lines, indeed- composed, for example (including two named Heinrich Reuss.)) (Monatsbericht 1831 29, btw.)
Urheberrecht
Troupenas, n.d.[1847].
Arrangeur
not credited
Sprache
French
Verlag
Paris: Troupenas, n.d.[1847]. Plate E.T. et Cie. 2092.
Nachdruck
Paris: Brandus et Cie., n.d.
Sonstige Bemerkungen
This file is part of the University of Nebraska-Lincoln
Rokahr Family Archive Mirroring Project.
Rokahr Family Archive Mirroring Project.
Urheberrecht
Dark Eyed One, Dark Eyed One
Dark Eyed One, Dark Eyed One
Thos. Birch, 1833.
Herausgeber
James B. Taylor, piano reduction; Thomas Haynes Bayly, new text.
Verlag
New York: Thos. Birch, 1833.
Sonstige Bemerkungen
Seemingly an interpolation in the Horn production (New York) of Die Zauberflöte by Mozart. Sung by Sarastro.
Urheberrecht
Auf dieser Seite
Le dieu et la bayadère
2 acts
Weitere Informationen
Fertig
Complete
Complete
B. Schott's Söhnen, 1831.
Arrangeur
Victor Rifaut (1798–1838), piano reduction
Sprache
French / German
Übersetzer
Karl August von Lichtenstein (1767–1845), German text
Verlag
Mainz: B. Schott's Söhnen, 1831. Plate 3403.
Sonstige Bemerkungen
It seems unclear now which member of the house of Liechtenstein is meant (unless so few of them engaged in work outside the martial that the meaning was clear at the time- an impression one gets, somehow, from Wikipedia articles on the 19th-century Liechtenstein family members; though this may be due to lack of detail/interest in finding out more about individuals. After all, without investigation, one might not know that one- indeed- multiple- members of the family Reuß- across several branches/lines, indeed- composed, for example (including two named Heinrich Reuss.)) (Monatsbericht 1831 29, btw.)
Urheberrecht
Complete
Complete
Troupenas, n.d.[1847].
Arrangeur
not credited
Sprache
French
Verlag
Paris: Troupenas, n.d.[1847]. Plate E.T. et Cie. 2092.
Nachdruck
Paris: Brandus et Cie., n.d.
Sonstige Bemerkungen
This file is part of the University of Nebraska-Lincoln
Rokahr Family Archive Mirroring Project.
Rokahr Family Archive Mirroring Project.
Urheberrecht
Dark Eyed One, Dark Eyed One
Dark Eyed One, Dark Eyed One
Dark Eyed One, Dark Eyed One
Dark Eyed One, Dark Eyed One
Thos. Birch, 1833.
Herausgeber
James B. Taylor, piano reduction; Thomas Haynes Bayly, new text.
Verlag
New York: Thos. Birch, 1833.
Sonstige Bemerkungen
Seemingly an interpolation in the Horn production (New York) of Die Zauberflöte by Mozart. Sung by Sarastro.
Urheberrecht