Original version, Wq.30
Orfeo ed Euridice, Wq.30
Weitere Informationen
Noten
Einspielungen
Partituren
Manuscript, n.d.[1762?].
Sprache
Italian
Verlag
Manuscript, n.d.[1762?].
Sonstige Bemerkungen
The Morgan Library & Museum, New York (US-NYpm): Cary 39
This file is part of the Submission Project.
This file is part of the Submission Project.
Urheberrecht
Manuscript, n.d.
Verlag
Manuscript, n.d.
Sonstige Bemerkungen
Österreichische Nationalbibliothek, Vienna (A-Wn) : Mus.Hs.17783
Urheberrecht
Duchesne, 1764.
Manuscript, 1838-1900.
Verlag
Manuscript, 1838-1900.
Sonstige Bemerkungen
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-504
Urheberrecht
Österreichischer Bundesverlag, 1914.
Herausgeber
Hermann Abert (1871–1927)
Sprache
Italian / German
Verlag
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Sonstige Bemerkungen
This file is part of the Sibley Mirroring Project.
Urheberrecht
Österreichischer Bundesverlag, 1914.
Herausgeber
Hermann Abert (1871–1927)
Sprache
Italian / German
Verlag
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Nachdruck
Orfeo ed Euridice in Full Score
Mineola: Dover Publications, 1992.
Mineola: Dover Publications, 1992.
Urheberrecht
Auf dieser Seite
Orfeo ed Euridice, Wq.30
Weitere Informationen
Original version, Wq.30
Original version, Wq.30
Original version, Wq.30
Original version, Wq.30
Manuscript, n.d.[1762?].
Sprache
Italian
Verlag
Manuscript, n.d.[1762?].
Sonstige Bemerkungen
The Morgan Library & Museum, New York (US-NYpm): Cary 39
This file is part of the Submission Project.
This file is part of the Submission Project.
Urheberrecht
Original version, Wq.30
Original version, Wq.30
Manuscript, n.d.
Verlag
Manuscript, n.d.
Sonstige Bemerkungen
Österreichische Nationalbibliothek, Vienna (A-Wn) : Mus.Hs.17783
Urheberrecht
Original version, Wq.30
Original version, Wq.30
Duchesne, 1764.
Original version, Wq.30
Original version, Wq.30
Manuscript, 1838-1900.
Verlag
Manuscript, 1838-1900.
Sonstige Bemerkungen
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-504
Urheberrecht
Original version, Wq.30
Original version, Wq.30
Österreichischer Bundesverlag, 1914.
Herausgeber
Hermann Abert (1871–1927)
Sprache
Italian / German
Verlag
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Sonstige Bemerkungen
This file is part of the Sibley Mirroring Project.
Urheberrecht
Original version, Wq.30
Original version, Wq.30
Österreichischer Bundesverlag, 1914.
Herausgeber
Hermann Abert (1871–1927)
Sprache
Italian / German
Verlag
Denkmäler der Tonkunst in Österreich, Vol.44a.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Vienna: Österreichischer Bundesverlag, 1914. Plate Dm.d.Tk.in Oest.
Nachdruck
Orfeo ed Euridice in Full Score
Mineola: Dover Publications, 1992.
Mineola: Dover Publications, 1992.
Urheberrecht
Original version, Wq.30
Original version, Wq.30
Bärenreiter, 1962.
Herausgeber
Anna Amalie Abert (1906–1996)
Ludwig Finscher (1930–2020)
Ludwig Finscher (1930–2020)
Sprache
Italian / German
Verlag
Kassel: Bärenreiter, 1962. Plate BA 2294
Urheberrecht
Original version, Wq.30
Original version, Wq.30
Bärenreiter, 1962.
Herausgeber
Anna Amalie Abert (1906–1996)
Ludwig Finscher (1930–2020)
Ludwig Finscher (1930–2020)
Verlag
Kassel: Bärenreiter, 1962. Plate BA 2294.
Sonstige Bemerkungen
add missing p.116 to #338237; rescan p.183 of #338237; turn #338237 from greyscale to B&W
Urheberrecht
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Manuscript, n.d.[1774].
Kopist
Copyist S-Dl-547
Copyist S-Dl-548
Copyist S-Dl-548
Verlag
Manuscript, n.d.[1774].
Sonstige Bemerkungen
Sächsische Landesbibliothek, Dresden (D-Dl) : Mus. 3030-F-13
Co-composed by Domenico Fischietti (ca. 1725-1783) with movements by Johann Christian Bach (1735-1782) and Josef Mysliveček (1737-1781)
Co-composed by Domenico Fischietti (ca. 1725-1783) with movements by Johann Christian Bach (1735-1782) and Josef Mysliveček (1737-1781)
Urheberrecht
Pasticcio version (Munich, 1773)
Pasticcio version (Munich, 1773)
Manuscript, 1773.
Verlag
Manuscript, 1773.
Sonstige Bemerkungen
Bayerische Staatsbibliothek, Munich (D-Mbs) : Mus.ms. 22341
Urheberrecht
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Pasticcio version (Naples, 1774)
Manuscript, n.d.(ca.1774).
Verlag
Manuscript, n.d.(ca.1774).
Sonstige Bemerkungen
Biblioteca del Conservatorio di musica S. Pietro a Majella (I-Nc) : 27.4.5-7
Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
Most of Gluck's original music has been retained here, but to stretch this "festa teatrale" into a full-length opera, no less than twelve additional pieces have been inserted. Most of them were composed by Johann Christian Bach for the 1770 London performance, except for "La legge accetto", which Bach wrote exclusively for this Neapolitan production. - The chorus "Sciolto ognun dal terreo vel" is a parody of the opening chorus ("Oh the pleasure of the plains") from Handel's "Acis and Galathea"; the following aria "Se quel dolor che sento" is a slightly modernized reworking of "Se al labbro mio non credi", originally written by Riccardo Broschi for the London revival of Hasse's "Artaserse" in 1734 (!).
Urheberrecht
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Aria: Che Puro ciel (Act II, Sc.2)
Michel Rondeau.
Herausgeber
Verlag
Michel Rondeau
Sonstige Bemerkungen
These file(s) are part of the Werner Icking Music Collection.
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Dance of the Blessed Spirits (Act II)
Creative Commons Attribution Share Alike 3.0
Rutger Hofman.
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Aria: Che farò senza Euridice? (Act III, Sc.1)
Michel Rondeau.
Herausgeber
Verlag
Michel Rondeau
Sonstige Bemerkungen
These file(s) are part of the Werner Icking Music Collection.