Mozart's Fragment
Oboe Concerto in F major, K.293/416f
Weitere Informationen
Noten
Einspielungen
Partituren
Holograph manuscript, n.d.(ca.1778).
Verlag
Holograph manuscript, n.d.(ca.1778).
Sonstige Bemerkungen
Facsimile published in Fleischer: Mozart (1900) of a single sheet that is now lost. Evidently reproduces lines 2-3 of 10, the rest being blank.
Urheberrecht
Breitkopf & Härtel, 1882.
Herausgeber
Ernst Rudorff (1840–1916)
First edition
First edition
Verlag
Mozarts Werke, Serie XXIV:
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Sonstige Bemerkungen
Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
Urheberrecht
Bärenreiter-Verlag, 1981.
Herausgeber
Franz Giegling (1921–2007)
Verlag
Neue Mozart-Ausgabe, Serie V, Werkgruppe 14 [NMA V/14/3] (pp.167-173)
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Sonstige Bemerkungen
scan: score scanned at 600dpi (High Quality Scanning)
Urheberrecht
Completions
Completions
Gavin Jared Bala, 2023 (June).
Arrangeur
Gavin Jared Bala (b. 1999)
Verlag
Gavin Jared Bala, 2023 (June).
Sonstige Bemerkungen
Mozart fully orchestrated the movement up to the end of bar 50. From bar 51 to the first beat of bar 70 Mozart only wrote a single line (the oboe solo, plus the first violins in bars 62-63); everything past that was added by the completer.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
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Oboe Concerto in F major, K.293/416f
Weitere Informationen
Mozart's Fragment
Mozart's Fragment
Mozart's Fragment
Mozart's Fragment
Holograph manuscript, n.d.(ca.1778).
Verlag
Holograph manuscript, n.d.(ca.1778).
Sonstige Bemerkungen
Facsimile published in Fleischer: Mozart (1900) of a single sheet that is now lost. Evidently reproduces lines 2-3 of 10, the rest being blank.
Urheberrecht
Mozart's Fragment
Mozart's Fragment
Breitkopf & Härtel, 1882.
Herausgeber
Ernst Rudorff (1840–1916)
First edition
First edition
Verlag
Mozarts Werke, Serie XXIV:
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Supplemente, Bd.1, No.20 (pp.1-5 (51-55))
Leipzig: Breitkopf & Härtel, 1882. Plate W.A.M. 293.
Sonstige Bemerkungen
Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
Urheberrecht
Mozart's Fragment
Mozart's Fragment
Bärenreiter-Verlag, 1981.
Herausgeber
Franz Giegling (1921–2007)
Verlag
Neue Mozart-Ausgabe, Serie V, Werkgruppe 14 [NMA V/14/3] (pp.167-173)
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Kassel: Bärenreiter-Verlag, 1981. Plate BA 4589.
Sonstige Bemerkungen
scan: score scanned at 600dpi (High Quality Scanning)
Urheberrecht
Completions
Completions
Completions
Completions
Gavin Jared Bala, 2023 (June).
Arrangeur
Gavin Jared Bala (b. 1999)
Verlag
Gavin Jared Bala, 2023 (June).
Sonstige Bemerkungen
Mozart fully orchestrated the movement up to the end of bar 50. From bar 51 to the first beat of bar 70 Mozart only wrote a single line (the oboe solo, plus the first violins in bars 62-63); everything past that was added by the completer.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.
A cadenza is also included as a suggestion, though performers should feel free to replace it with their own.