Bassoon Concerto in C minor, GWV 307
Weitere Informationen
Noten
Einspielungen
Partituren
Bärenreiter, 1957.
Herausgeber
Friedrich Noack (1890–1958)
Verlag
Kassel: Bärenreiter, 1957. Plate BA 3233.
Nachdruck
Miami: E.F. Kalmus, n.d.(1971-87). Catalog A7073.
Urheberrecht
Autograph manuscript, n.d.(ca.1744).
Verlag
Autograph manuscript, n.d.(ca.1744).
Urheberrecht
Creative Commons Attribution Non-commercial Share Alike 3.0
Richard Kram.
Herausgeber
Verlag
Richard Kram
Sonstige Bemerkungen
Two versions posted. A more faithful urtext-like (though not critical) version and a version that is embellished in style (not really an arrangement) with continuo. The embellished version takes a number of liberties that might have been taken in the day - adding more ornamented lines on repetitions in strings as well as bassoon, etc. Perhaps some Baroque "purists" may take exception to some of the alterations, but this is just one of an infinite number of performance possibilities. My goal is to bring life to the music in new ways that are not totally unorthodox. See "Discuss the Piece" and the "Virtual Performance" for more information.
Urheberrecht
Creative Commons Attribution Non-commercial Share Alike 3.0
Bassoon Concerto in C minor, GWV 307
Weitere Informationen
Bärenreiter, 1957.
Herausgeber
Friedrich Noack (1890–1958)
Verlag
Kassel: Bärenreiter, 1957. Plate BA 3233.
Nachdruck
Miami: E.F. Kalmus, n.d.(1971-87). Catalog A7073.
Urheberrecht
Autograph manuscript, n.d.(ca.1744).
Verlag
Autograph manuscript, n.d.(ca.1744).
Urheberrecht
Creative Commons Attribution Non-commercial Share Alike 3.0
Richard Kram.
Herausgeber
Verlag
Richard Kram
Sonstige Bemerkungen
Two versions posted. A more faithful urtext-like (though not critical) version and a version that is embellished in style (not really an arrangement) with continuo. The embellished version takes a number of liberties that might have been taken in the day - adding more ornamented lines on repetitions in strings as well as bassoon, etc. Perhaps some Baroque "purists" may take exception to some of the alterations, but this is just one of an infinite number of performance possibilities. My goal is to bring life to the music in new ways that are not totally unorthodox. See "Discuss the Piece" and the "Virtual Performance" for more information.
Urheberrecht
Creative Commons Attribution Non-commercial Share Alike 3.0