Noten
Einspielungen
Partituren
Holograph manuscript, n.d.(ca.1701-41).
Verlag
Holograph manuscript, n.d.(ca.1701-41).
Sonstige Bemerkungen
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 34, f.151r-154v
Urheberrecht
G. Ricordi & C., 1949.
Herausgeber
Gian Francesco Malipiero (1882–1973)
Verlag
Le Opere di Antonio Vivaldi, Vol.XIII, Tomo 49
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Urheberrecht
Eulenburg, n.d.
Herausgeber
Felix Schroeder (1908–1976)
Nachdruck
Boca Raton: E.F. Kalmus, n.d.(1987–2018). Catalog A2215.
Urheberrecht
Alonso del Arte.
Herausgeber
Verlag
Alonso del Arte
Sonstige Bemerkungen
The rehearsal letters are the same as in Sandra Dackow's edition, except that in the very short slow movement I thought the one rehearsal letter to be completely unnecessary. While I'm generally averse to putting rehearsal letters at middle repeats, I put letter C over the middle repeat in the finale so as to not differ from Dackow's letters. Unlike Dackow's, this is not an educational arrangement: first violinists will have to count through their "whole notes" in the first movement.
Holograph manuscript, n.d.(ca.1701-41).
Verlag
Holograph manuscript, n.d.(ca.1701-41).
Sonstige Bemerkungen
Biblioteca Nazionale Universitaria, Turin (I-Tn) : Giordano 34, f.151r-154v
Urheberrecht
G. Ricordi & C., 1949.
Herausgeber
Gian Francesco Malipiero (1882–1973)
Verlag
Le Opere di Antonio Vivaldi, Vol.XIII, Tomo 49
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Milano: G. Ricordi & C., 1949. Plate P.R. 319.
Urheberrecht
Eulenburg, n.d.
Herausgeber
Felix Schroeder (1908–1976)
Nachdruck
Boca Raton: E.F. Kalmus, n.d.(1987–2018). Catalog A2215.
Urheberrecht
Alonso del Arte.
Herausgeber
Verlag
Alonso del Arte
Sonstige Bemerkungen
The rehearsal letters are the same as in Sandra Dackow's edition, except that in the very short slow movement I thought the one rehearsal letter to be completely unnecessary. While I'm generally averse to putting rehearsal letters at middle repeats, I put letter C over the middle repeat in the finale so as to not differ from Dackow's letters. Unlike Dackow's, this is not an educational arrangement: first violinists will have to count through their "whole notes" in the first movement.