For tenor and male chorus
Noten
Arrangements und Transkriptionen
E.C. Schirmer Music Co., 1925.
Arrangeur
Archibald Thompson Davison (1883–1961)
Verlag
The Concord Series: Harvard University Glee Club Collection of Part Songs for Men's Voices, No.83
Boston: E.C. Schirmer Music Co., 1925. Plate E.C.S. No.173.
Boston: E.C. Schirmer Music Co., 1925. Plate E.C.S. No.173.
Sonstige Bemerkungen
This file is part of the Indianapolis Maennerchor Archive.This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
Urheberrecht
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For tenor and male chorus
For tenor and male chorus
For tenor and male chorus
For tenor and male chorus
E.C. Schirmer Music Co., 1925.
Arrangeur
Archibald Thompson Davison (1883–1961)
Verlag
The Concord Series: Harvard University Glee Club Collection of Part Songs for Men's Voices, No.83
Boston: E.C. Schirmer Music Co., 1925. Plate E.C.S. No.173.
Boston: E.C. Schirmer Music Co., 1925. Plate E.C.S. No.173.
Sonstige Bemerkungen
This file is part of the Indianapolis Maennerchor Archive.This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
Urheberrecht