Complete
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Weitere Informationen.
Noten
Stimmen
Huberty, n.d.
Notenstecher
Mme Huberty
Verlag
Paris: Huberty, n.d.
Sonstige Bemerkungen
Six Trio pour deux Violons et Alto Viola ou Basse Obligé.
Alternate Cello part missing.
Alternate Cello part missing.
Urheberrecht
Sonatas 1-4
Sonatas 1-4
Markordt, n.d.
Verlag
The Hague: Van Laak, n.d.(ca.1780).
co-issue - Amsterdam: Markordt, n.d.
co-issue - Amsterdam: Markordt, n.d.
Sonstige Bemerkungen
N.B. Sonatas are presented in the order 4, 1, 3, 2. Alternate Viola missing.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
Urheberrecht
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Bärenreiter Verlag, 1949.
Herausgeber
Walter Upmeyer (1876-1961)
Verlag
Hortus Musicus, No.37
Kassel: Bärenreiter Verlag, 1949.
Kassel: Bärenreiter Verlag, 1949.
Nachdruck
1957
Sonstige Bemerkungen
From the uploader's library. Scanned A3 after unstapling. N.B. Sonatas are presented in the order 2, 6, 4.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
Urheberrecht
Auf dieser Seite
This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in Weitere Informationen.
Fertig
Complete
Complete
Huberty, n.d.
Notenstecher
Mme Huberty
Verlag
Paris: Huberty, n.d.
Sonstige Bemerkungen
Six Trio pour deux Violons et Alto Viola ou Basse Obligé.
Alternate Cello part missing.
Alternate Cello part missing.
Urheberrecht
Sonatas 1-4
Sonatas 1-4
Sonatas 1-4
Sonatas 1-4
Markordt, n.d.
Verlag
The Hague: Van Laak, n.d.(ca.1780).
co-issue - Amsterdam: Markordt, n.d.
co-issue - Amsterdam: Markordt, n.d.
Sonstige Bemerkungen
N.B. Sonatas are presented in the order 4, 1, 3, 2. Alternate Viola missing.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
It is possible that this is a publisher's label pasted over the original printer's name.
Title: Quattro Sonate Notturne a Due Violini, e Basso o piuttosto Viola.
This file is part of the Sibley Mirroring Project.
Urheberrecht
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Sonatas 2, 4 & 6
Bärenreiter Verlag, 1949.
Herausgeber
Walter Upmeyer (1876-1961)
Verlag
Hortus Musicus, No.37
Kassel: Bärenreiter Verlag, 1949.
Kassel: Bärenreiter Verlag, 1949.
Nachdruck
1957
Sonstige Bemerkungen
From the uploader's library. Scanned A3 after unstapling. N.B. Sonatas are presented in the order 2, 6, 4.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
Walter Upmeyer in his Introduction to this edition (1948) considers we can witness in this work the disappearance of the basso continuo in favour of the galant style of solo writing influenced by Tartini. He has based his (first) edition on manuscripts in the Berlin Schlossbibliothek.
Urheberrecht